Thursday, March 20, 2014

IN WHICH THE AUTHOR REVISITS THE STAIRS TO THE BASEMENT


These sorts of stories always have an enchanted passageway, totem or ritual that spirits its protagonists to the netherworld where the action takes place and the truth is told. A wardrobe, rabbit hole, looking glass, tollbooth, DeLorean, ritualistic chanting, the Guardian of Forever, the Neverending Story, Jumanji, the temporal nexus, what have you. But the trigger that took me into my own past was uncertain; I had yet to really think about why; I was stuck in where it took me, distracted from how I got there. It was certain that the first journey back arose from the fall down Emily’s staircase, but I assumed it was the tumble down the stairs, the disorientation and head injury, not the stairs themselves. I didn’t know if I lost any time between when I landed and when I got back up, how long I lay there, the correspondence between the 8 hours I experienced in the past and the time that passed in the present. At the time it seemed a mere second, though somehow elongated by the the stretched-out moment that preceded it.

Head injuries illustrate the subjectivity of perspective, that what is outside of us is not seamlessly processed and understood by the inside of us—there is a complex mechanism that reality is transmitted by, an imperfect and fallible one, that we are convinced is reality. It is precarious, and when we experience a concussion we experience this precariousness, we don’t feel the blow to the head, per say, we feel a tingling and startling concussive blanket that washes over our entire body like the blast of a soothing atomic bomb. And the fallout remains upon our perception in a way we cannot perceive, in a way Oliver Sacks, et al are deciphering as we speak, so to speak. 

And so, did I break my head when it broke my fall down those stairs? Is my present perception of past events the fuzzy result of this initial trauma? Am I mentally ill? While I am not a neurologist, I am a diligent student of narrative, so I decided to take my notebook and visit Emily and her basement to see if anything about it resembled the threshold to an alternate reality, so I could potentially rule that out. The following are the notes from the visit:




My sweetheart and I rode bikes north to Emily’s house and were received warmly and ceremoniously. It had been a month or so since we had seen each other so we postponed the business at hand for being humans in the host/guest roles. I asked what might signify the supernatural w/r/t to the basement, the house, the property, etc. For one thing: the house reeked of sage.

I composed my notes in illustration form after recording the initial observation that “cats love it.” Emily described often seeing one or two cats lingering or lounging at the base of the stairs, a detail that is surely meaningful, perhaps comprehensibly so. And in fact sage was left burning in the hours before we arrived with nobody in the house. And, yes, it was possible that sage was burning the night I tried to take a bath and eventually did. I was lent a headlamp and I stepped out the side door to explore oh so carefully. I stepped slowly out into the night—the same time of night, the same time of year one year later—and I knew this time not to turn the corner with haste, knowing the precipitous stairs lay precisely there. Yet they were not right there, they descended several paces forward. Where else could they possibly could have been? Nowhere: they had to be there, but I simply didn’t let my eyes adjust to the dark, or I entirely misunderstood the house, which is not unreasonable as I hadn’t studied it to this meticulous extent. It makes as much sense to me as anything that I was pulled by these stairs. I should also note that I grew up in an era in which nothing about a house was dangerous, so such a staircase did not exist in my mind. Perhaps this literal headlong crash into an antiquated, unsafe feature of a centurion cottage is a metaphor for my need to do everything wrong in the logic of the present in order to fulfill a worldview rife with nostalgia and romance. This wouldn’t be the first time a born-at-the-wrong-time protagonist fell victim to the contents of his own Pandora’s box.

I walked down the stairs—still pulled to a certain extent, though very slowly—and noticed the wall holding the dirt back seemed strained, a no longer straight line of concrete curved by the pressure of soaked soil attempting to flood the basement, cracks developed, moss. It seemed amazing to me that half a foot of a wall set in 1905 could hold a dozen foot section of the earth’s surface from falling to the inevitable, but such is the basis of civilization, I suppose. I ran my hand across it when I reached the bottom of the stairs but realized I was off track. I crouched in the spot where I had landed, noted the grate, bent inwards like the wall, leaves, rocks and all the other minutiae that finds itself victim to gravity. The broken glass I had found by my head a year before had been removed. I looked up the stairs and felt like I was looking straight up, as at a ladder. Cats love it, I thought.

Inside the basement I immediately noted the washer/dryer, which drew me down here initially to find the dry towel to take my bath, but I noticed something more—the water heater. I studied its pipes, tracing their path along the floor above me. I also realized the bathtub was immediately inside the house from the entrance to the basement stairs. I came back upstairs and shared what I had found. A circular pattern came to me to describe the forces at work, one that very well could have produced a vortex: smoke emits from the house and mingles with forces that push down into the basement entrance—gravity, cats, descending vines, earth pushing into the staircase wall, cracking the now concave cement—and there in the basement the water heater heats the water before it is sent upstairs to the bath faucet—which was at the time running—where its steam mixes with the swirling sage smoke into mystical wispy cornices, creeping beneath and out the door frame. 

To me my research proved conclusive: I had found a time warp activated by burning sage and drawing a bath upstairs. These cats passed through all the time and daily encountered how many other realities, I cannot say. I had no symptoms of concussion, all I knew was that my senses presenting a swirling and euphoric descent down those unfamiliar stairs and that, before I realized what had happened, I had relived eight hours of a life already historic to myself in the quote-unquote present moment.

This was very gratifying to me, to make this headway in understanding the situation. Mostly I was pleased—even surprised—to have not fallen into the vortex again.

Monday, March 10, 2014

IN WHICH THE AUTHOR OCCUPIES HIMSELF


Today the condition went haywire. Every door opened on a new reality. I came out of the bathroom at the house and I was outside the bathroom at the restaurant. I was now a hostperson in 2011 or 2012. I wore a tie. I came to the front of the place to see if I had to seat someone. To see the date. What year it was. It was 2011. My boss gave me a wine list and two menus and told me D5. I gestured right this way to the couple and led them to the two top in the very back of the restaurant. It was 2011. I had to pee again. I left them at their table with the menus elegantly placed on the settings. I went back to the bathroom. I had a moustache, I saw in the mirror. I had a moustache? I opened the door to leave and saw just outside, theater 3, the big one, on the other side. I looked back and saw the hallway of the theater behind me. The restaurant was gone. It must have been 2009. I started grabbing half eaten bags of popcorn, kicking up the flapping seats, pushing up the cup-holder arms between the seats, removing the 32-ounce soda cups, barely consumed as wet with condensation on the outside as they are sticky on the inside. I swept the sporadic messes into my dustpan—those ones at the end of a three-foot pole—and, once it was full, went to empty it in the hallway. I backed into the door to open it and look over my shoulder at what’s behind me as I turn to face it and the broom becomes a tote bag and the dustpan is a cup of coffee and the room is full of six and seven year olds and their parents who let themselves into their classroom before I, the day’s substitute teacher arrived. It’s their classroom after all. I’m just visiting. I have a beard now. I’m underslept, hungry. I drank last night. Everybody’s speaking Spanish. ¿Puedo leer este libro? I am asked by a chorus. How should I know? Whose book is it? Where is the lesson plan? Where do we start? Which school is this? I worked for a district that built three identical schools in, I’m guessing 1992, when they replaced the rings of fields of lettuce and strawberries around the city with a track-house halo. There’s still plenty of lettuce and strawberries, just a little less, and now more elementary schools named after John Steinbeck and Cesar Chavez, in memory of when we were farms first and people second. We are now more people than most major cities in California were one hundred years ago, before the track-home halos that came to define us. I manage to find the lesson plan as thirty three-foot-tall adults of the future hand me crumpled sheets of homework pulled from backpacks not much smaller than themselves. I write my name on the white board and take a deep breath. 
Buenos días, clase, I say pausing purposefully for the response. 
Buenos días, maestro, approximated by a chorus of thirty. 
Good morning, everyone, I continue. My name is Mr. Shaw-Kitch
I direct these strangers with my hands like a conductor, Good morning, Mr. Shaw-Kitch
I find the date on the white board from yesterday. I ask what day follows Wednesday. Thursday! exclaimed a more tentative chorus. 
What comes after the fourteenth? 
Fifteen! 
What is the date, everybody? 
I start slowly, holding a pointer over Thursday, mouthing the words as the students say them out loud, some shouting in excitement, Today is Thursday, April fourteenth, two thousand and ten.
It’s another two hours before morning recess when I will open the door and return to the passage of time in the so-called present moment. In the meantime I really have to pee. Couldn’t I just leave now? Wouldn’t the me who already did this remain to fulfill this experience while I return to my destiny? What’s the worst that could happen? Maybe I opened this door anyway to check outside. What’s the weather like today, class? Let me check.
And I am falling down those stairs again, grabbing for anything again, finding only blackberry brambles again, pulling them into my skin, feeling pain and weightlessness again before a thud, nothing, tingling, and I am waking up on a floor of a kitchen in Eugene, Oregon. It must be 2004. I have to go to the bathroom and I do, saying hello to someone in the living room I met in 2004, and I open a door onto my 11th grade English class. I’m the fifth one in, early. So I set my stuff down—I don’t want to be here—and rush to the bathroom. I am back at my house, the hallway outside the bathroom. It’s as close to the present as I need right now, though not sure if it’s the same day I started. Today is Thursday, January twenty-sixth, two thousand and fourteen. I hear this on the radio, I repeat it to myself. I open my computer and this document, the document for the book. There’s hardly anything there, compared to two months later, now. This must have been the day when I wrote this, this piece of writing I don’t imagine writing. I write this and sit for awhile, afraid to open doors. I turn on the radio and remember the news that happened today.